If you’re the kind of person who finds comfort in the smell of stale popcorn and the flicker of a 35mm projector, (2020)—originally titled Al Morir la Matinée —is a movie made specifically for you. Directed by Uruguayan filmmaker Maxi Contenti, this neo-giallo slasher doesn’t just pay homage to the genre; it marinates in it. A Rainy Night at the Movies
The Last Matinee is more than just a body count movie. It’s a nostalgic, somewhat tragic look at the death of the theatrical experience. As the killer dismantles the audience, there’s a subtext about the vanishing magic of cinema-going. The Last Matinee (2020)
The setup is beautifully simple: on a torrential rainy night in 1993 Montevideo, a small group of strangers gathers in a grand, fading cinema. Little do they know, a silent killer is stalking the aisles, picking off patrons one by one while a cheesy horror movie plays on the big screen. If you’re the kind of person who finds
Red Velvet and Cold Steel: Why The Last Matinee is a Love Letter to Cinema It’s a nostalgic, somewhat tragic look at the