: The show continues its self-aware exploration of horror tropes. Having Angelica Ross's character, Donna, explicitly discuss the "Final Girl" concept adds a layer of intellectual wit that fans of the The Three Penny Guignol appreciate.
: With the Camp Redwood music festival approaching, the episode feels stuffed. Between the ghosts, the living slashers, and the looming concert, some storylines—like the Richard Ramirez plot—feel repetitive. [S9E8] Rest in Pieces
: As is common in later AHS seasons, the "rules" of the ghosts at Camp Redwood feel increasingly arbitrary, which can sap the tension from certain encounters. : The show continues its self-aware exploration of
: The closure provided for Mr. Jingles (John Carroll Lynch) is surprisingly moving. Watching him find a version of peace amidst the carnage is one of the more satisfying character arcs of the season. The Bad: Pacing and Fragmented Storylines Between the ghosts, the living slashers, and the
: The standout moment of the episode is the introduction of Bobby Richter. Wittrock’s performance brings a grounded, emotional weight to the otherwise frantic episode.