Represent different facets of the movement, from the questioning moderate to the isolated worker. C'est le petit livre rouge / Qui fait que tout enfin bouge
This paper provides an analysis of Jean-Luc Godard’s 1967 film La Chinoise (or La Chinoise, ou plutôt à la Chinoise: un film en train de se faire ), a seminal work of political docufiction exploring radical Maoism in 1960s Paris. La Chinoise
Characters frequently break the fourth wall, addressing the audience directly or acting out scenarios. Represent different facets of the movement, from the
The film focuses on five characters trapped in a bourgeois apartment, creating a "summer school" of politics: Represent different facets of the movement