Hit & Miss -

: The series is beautifully shot, capturing the stark, moody landscapes of the British countryside. Reviewers from AVForums compare its atmospheric quality to Andrea Arnold's Wuthering Heights .

: The series famously ends on a cliffhanger, and since a second season was never produced, some find the conclusion deeply infuriating or unsatisfying . Final Verdict

Hit & Miss is a "beautifully sad downer" that won't be for everyone. However, for fans of Paul Abbott ( Shameless ) or those looking for a truly unique, character-driven drama, it is a compelling six-episode journey that stays with you long after the credits roll. Hit & Miss

: Some viewers found the show's "slow and earnest" pace a bit much, noting that it leans more into domestic angst than the high-octane action its title might suggest.

: Despite the "laughably bizarre" premise, the writing is noted for its surprising sensitivity toward gender identity, avoiding cheap jokes in favor of a deep exploration of what constitutes a family. The "Misses" : The series is beautifully shot, capturing the

: Critics from The Washington Post and The Guardian praise Sevigny for her nuanced, "pure class" portrayal of Mia. She navigates the character's internal conflict and gender dysphoria with a mix of fragility and lethal menace.

: One of the most common complaints involves Sevigny’s accent, which Metro and Variety describe as "dodgy" or "wobbly," occasionally slipping between various regions. Final Verdict Hit & Miss is a "beautifully

The show centers on Mia (played by Chloë Sevigny ), a pre-op transgender hitwoman whose cold, professional life is upended when she discovers she fathered a son with a now-deceased ex-girlfriend. Overnight, she becomes the guardian of a grieving, dysfunctional family on a remote farm.