Sound Argument — (dub) 10 : A

Using gear in ways it wasn't intended (overloading pre-amps, "playing" the spring reverb).

The "10" in our argument represents the ten-octave range of human hearing, but specifically focuses on the lowest two. A sound argument for Dub is a physical one. Low-frequency oscillations (LFOs) are not just heard; they are felt. (Dub) 10 : A Sound Argument

Dub is defined by its use of delay and reverb. From a philosophical standpoint, these are not just effects; they represent the persistence of memory and the haunting of the original recording. Using gear in ways it wasn't intended (overloading

A breakdown of the used to create these sounds. these are not just effects

Echoes allow a singer’s voice to haunt a track long after the vocal has stopped.