The process is an exercise in patience and precision. (from the French pousser , "to push") is the foundational step. The artist works from the reverse side of the metal, using rounded punches to push the material out and create volume.
In the modern era, the tools have remained largely unchanged, but the application has evolved. While it remains a staple for high-end silversmiths and ecclesiastical art, contemporary jewelry designers use it to create organic, "anti-industrial" textures that stand in contrast to the perfection of 3D printing. Artists like the late Heikki Seppä revolutionized the field by introducing "synclastic" and "anticlastic" forming, pushing the boundaries of how much a metal sheet can be distorted before it breaks. Conclusion Chasing & RepoussГ©: Methods Ancient and Modern
Historically, these methods were the pinnacle of luxury. From the shimmering funeral masks of Ancient Egypt to the intricate gold-work of the Scythians and the Renaissance masterpieces of Benvenuto Cellini, chasing and repoussé were used to bridge the gap between jewelry and sculpture. The process is an exercise in patience and precision