Monteiro uses long, static takes and natural light to create a "powdery, matte world" of straight lines and kinky desires.
The film is highly polarizing, reflected in its mix of high praise and intense disdain: A ComГ©dia de Deus
Directed by João César Monteiro, A Comédia de Deus (God’s Comedy, 1995) is a surreal and provocative masterpiece of Portuguese cinema. The film serves as the second installment in the director’s "God’s Trilogy," following his on-screen persona, João de Deus. Monteiro uses long, static takes and natural light
The film juxtaposes high art—such as references to Wagner, Haydn, and Portuguese poet Luís Vaz de Camões—with vulgar fetishes and sexual perversion. Monteiro uses long
Monteiro uses long, static takes and natural light to create a "powdery, matte world" of straight lines and kinky desires.
The film is highly polarizing, reflected in its mix of high praise and intense disdain:
Directed by João César Monteiro, A Comédia de Deus (God’s Comedy, 1995) is a surreal and provocative masterpiece of Portuguese cinema. The film serves as the second installment in the director’s "God’s Trilogy," following his on-screen persona, João de Deus.
The film juxtaposes high art—such as references to Wagner, Haydn, and Portuguese poet Luís Vaz de Camões—with vulgar fetishes and sexual perversion.
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